“H’m! you spent your postage for nothing, then. H’m! you are candid, however--and that is commendable. H’m! Mrs. Epanchin--oh yes! a most eminent person. I know her. As for Mr. Pavlicheff, who supported you in Switzerland, I know him too--at least, if it was Nicolai Andreevitch of that name? A fine fellow he was--and had a property of four thousand souls in his day.”

Exclamations of horror arose on all sides. The prince grew pale as death; he gazed into Gania’s eyes with a strange, wild, reproachful look; his lips trembled and vainly endeavoured to form some words; then his mouth twisted into an incongruous smile.
“Yes.”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
Little by little a sort of inspiration, however, began to stir within him, ready to spring into life at the right moment. When he did begin to speak, it was accidentally, in response to a question, and apparently without any special object.

And so the conclusion of the matter was that it would be far better to take it quietly, and wait coolly to see what would turn up. But, alas! peace did not reign for more than ten minutes. The first blow dealt to its power was in certain news communicated to Lizabetha Prokofievna as to events which had happened during her trip to see the princess. (This trip had taken place the day after that on which the prince had turned up at the Epanchins at nearly one o’clock at night, thinking it was nine.)

“Just so, prince, just so. How well you bring out that fact! Because your own heart is good!” cried the ecstatic old gentleman, and, strangely enough, real tears glistened in his eyes. “Yes, prince, it was a wonderful spectacle. And, do you know, I all but went off to Paris, and should assuredly have shared his solitary exile with him; but, alas, our destinies were otherwise ordered! We parted, he to his island, where I am sure he thought of the weeping child who had embraced him so affectionately at parting in Moscow; and I was sent off to the cadet corps, where I found nothing but roughness and harsh discipline. Alas, my happy days were done!”
“I don’t understand you.”
“Oh, no; I love her with all my soul. Why, she is a child! She’s a child now--a real child. Oh! you know nothing about it at all, I see.”
“That same husband of your sister, the usurer--”

“‘From his face he never lifted That eternal mask of steel.’”

“My fate is to be decided today” (it ran), “you know how. This day I must give my word irrevocably. I have no right to ask your help, and I dare not allow myself to indulge in any hopes; but once you said just one word, and that word lighted up the night of my life, and became the beacon of my days. Say one more such word, and save me from utter ruin. Only tell me, ‘break off the whole thing!’ and I will do so this very day. Oh! what can it cost you to say just this one word? In doing so you will but be giving me a sign of your sympathy for me, and of your pity; only this, only this; nothing more, _nothing_. I dare not indulge in any hope, because I am unworthy of it. But if you say but this word, I will take up my cross again with joy, and return once more to my battle with poverty. I shall meet the storm and be glad of it; I shall rise up with renewed strength.

“She opened the parcel, looked at the earrings, and laughed.

“There is no silliness about it at all--only the profoundest respect,” said Aglaya, very seriously. She had quite recovered her temper; in fact, from certain signs, it was fair to conclude that she was delighted to see this joke going so far; and a careful observer might have remarked that her satisfaction dated from the moment when the fact of the prince’s confusion became apparent to all.

“Don’t apologize,” said Nastasia, laughing; “you spoil the whole originality of the thing. I think what they say about you must be true, that you are so original.--So you think me perfection, do you?”

“Yes.”

It was all very vague. Who had taken the letters, if letters there were? Probably Vera--and how could Lebedeff have got them? In all probability, he had managed to steal the present letter from Vera, and had himself gone over to Lizabetha Prokofievna with some idea in his head. So the prince concluded at last.

Muishkin gave him excellent cigars to smoke, and Lebedeff, for his part, regaled him with liqueurs, brought in by Vera, to whom the doctor--a married man and the father of a family--addressed such compliments that she was filled with indignation. They parted friends, and, after leaving the prince, the doctor said to Lebedeff: “If all such people were put under restraint, there would be no one left for keepers.” Lebedeff then, in tragic tones, told of the approaching marriage, whereupon the other nodded his head and replied that, after all, marriages like that were not so rare; that he had heard that the lady was very fascinating and of extraordinary beauty, which was enough to explain the infatuation of a wealthy man; that, further, thanks to the liberality of Totski and of Rogojin, she possessed--so he had heard--not only money, but pearls, diamonds, shawls, and furniture, and consequently she could not be considered a bad match. In brief, it seemed to the doctor that the prince’s choice, far from being a sign of foolishness, denoted, on the contrary, a shrewd, calculating, and practical mind. Lebedeff had been much struck by this point of view, and he terminated his confession by assuring the prince that he was ready, if need be, to shed his very life’s blood for him.

“He discovered everything, the monster... himself......”

This, then, was the society that the prince accepted at once as true coin, as pure gold without alloy.
“Constant?” said the prince, suddenly, and quite involuntarily.
“I wished to find out from you,” she said, firmly, “by what right you dare to meddle with his feelings for me? By what right you dared send me those letters? By what right do you continually remind both me and him that you love him, after you yourself threw him over and ran away from him in so insulting and shameful a way?”
“He is a lodger of ours,” explained the latter.
“I suppose you will go to the sufferer’s bedside now?” he added.

X.

“But she is not that sort of woman, I tell you!” said Gania, angrily. “She was only acting.”

So at the risk of missing General Epanchin altogether, and thus postponing his visit to Pavlofsk for a day, at least, the prince decided to go and look for the house he desired to find.

The same thing happened in the park and in the street, wherever he went. He was pointed out when he drove by, and he often overheard the name of Nastasia Philipovna coupled with his own as he passed. People looked out for her at the funeral, too, but she was not there; and another conspicuous absentee was the captain’s widow, whom Lebedeff had prevented from coming.
“Our man-servant?” exclaimed several voices at once.
“Hide-and-seek? What do you mean?” inquired Mrs. Epanchin.
Seeing him laugh, Lebedeff thought fit to laugh also, and though much agitated his satisfaction was quite visible.
The prince certainly was very pale. He sat at the table and seemed to be feeling, by turns, sensations of alarm and rapture.
A violent fit of coughing, which lasted a full minute, prevented him from finishing his sentence. “At all events,” put in the general, not listening to the news about the letter, “at all events, you must have learned _something_, and your malady would not prevent your undertaking some easy work, in one of the departments, for instance?”
At that moment Colia appeared on the terrace; he announced that Lizabetha Prokofievna and her three daughters were close behind him.

“Well, prince, your arithmetic is not up to much, or else you are mighty clever at it, though you affect the air of a simpleton,” said Lebedeff’s nephew.

“Oh, nothing more, nothing more! I was saying to myself but now... ‘I am quite unworthy of friendly relations with him,’ say I; ‘but perhaps as landlord of this house I may, at some future date, in his good time, receive information as to certain imminent and much to be desired changes--’”
“Come along, let’s go out for a walk!” cried Adelaida. “We’ll all go together, and the prince must absolutely go with us. You needn’t go away, you dear good fellow! _Isn’t_ he a dear, Aglaya? Isn’t he, mother? I must really give him a kiss for--for his explanation to Aglaya just now. Mother, dear, I may kiss him, mayn’t I? Aglaya, may I kiss _your_ prince?” cried the young rogue, and sure enough she skipped up to the prince and kissed his forehead. “There was no Eropegoff? Eroshka Eropegoff?” he cried, suddenly, stopping in the road in a frenzy. “No Eropegoff! And my own son to say it! Eropegoff was in the place of a brother to me for eleven months. I fought a duel for him. He was married afterwards, and then killed on the field of battle. The bullet struck the cross on my breast and glanced off straight into his temple. ‘I’ll never forget you,’ he cried, and expired. I served my country well and honestly, Colia, but shame, shame has pursued me! You and Nina will come to my grave, Colia; poor Nina, I always used to call her Nina in the old days, and how she loved.... Nina, Nina, oh, Nina. What have I ever done to deserve your forgiveness and long-suffering? Oh, Colia, your mother has an angelic spirit, an angelic spirit, Colia!”
“Then for a day and a half I neither slept, nor ate, nor drank, and would not leave her. I knelt at her feet: ‘I shall die here,’ I said, ‘if you don’t forgive me; and if you have me turned out, I shall drown myself; because, what should I be without you now?’ She was like a madwoman all that day; now she would cry; now she would threaten me with a knife; now she would abuse me. She called in Zaleshoff and Keller, and showed me to them, shamed me in their presence. ‘Let’s all go to the theatre,’ she says, ‘and leave him here if he won’t go--it’s not my business. They’ll give you some tea, Parfen Semeonovitch, while I am away, for you must be hungry.’ She came back from the theatre alone. ‘Those cowards wouldn’t come,’ she said. ‘They are afraid of you, and tried to frighten me, too. “He won’t go away as he came,” they said, “he’ll cut your throat--see if he doesn’t.” Now, I shall go to my bedroom, and I shall not even lock my door, just to show you how much I am afraid of you. You must be shown that once for all. Did you have tea?’ ‘No,’ I said, ‘and I don’t intend to.’ ‘Ha, ha! you are playing off your pride against your stomach! That sort of heroism doesn’t sit well on you,’ she said.
“Where they played last night. Then I found this bench and sat down, and thought and thought--and at last I fell fast asleep.”

“Are you going there for some particular reason, or only as a way of getting into her society, and that of her friends?”

“You may imagine her ecstasy, her gratitude. The wretched Platon, who had almost died since yesterday of the reproaches showered upon him, wept on my shoulder. Of course poor Peter had no chance after this.
“Yes, I do--this kind.” It was only now that everyone realized to what a ridiculous dead-lock the whole matter had been brought. Excepting feigned surprise, indignation, laughter, and jeering--both at the prince and at everyone who asked her questions,--nothing could be got out of Aglaya.
“Colia spent the night here, and this morning went after his father, whom you let out of prison by paying his debts--Heaven only knows why! Yesterday the general promised to come and lodge here, but he did not appear. Most probably he slept at the hotel close by. No doubt Colia is there, unless he has gone to Pavlofsk to see the Epanchins. He had a little money, and was intending to go there yesterday. He must be either at the hotel or at Pavlofsk.”
“You will only excite him more,” he said. “He has nowhere else to go to--he’ll be back here in half an hour. I’ve talked it all over with Colia; let him play the fool a bit, it will do him good.”

“What? Pavlicheff’s son!” cried the prince, much perturbed. “I know... I know--but I entrusted this matter to Gavrila Ardalionovitch. He told me...”

“Honour, indeed!” said the latter, with contempt.
“My goodness, Lef Nicolaievitch, why, you can’t have heard a single word I said! Look at me, I’m still trembling all over with the dreadful shock! It is that that kept me in town so late. Evgenie Pavlovitch’s uncle--”

The prince said all this with manifest effort--in broken sentences, and with many drawings of breath. He was evidently much agitated. Nastasia Philipovna looked at him inquisitively, but did not laugh.

“Oh, you cruel little girl! How will you treat us all next, I wonder?” she said, but she spoke with a ring of joy in her voice, and as though she breathed at last without the oppression which she had felt so long.
“Asleep?” whispered the prince.
He could not believe that this was the same haughty young girl who had once so proudly shown him Gania’s letter. He could not understand how that proud and austere beauty could show herself to be such an utter child--a child who probably did not even now understand some words.

“But she is not that sort of woman, I tell you!” said Gania, angrily. “She was only acting.”

“That’s a kind-hearted man, if you like,” said Daria Alexeyevna, whose wrath was quickly evaporating. “Bullets?” cried Nastasia.
“Good Lord, he’s off again!” said Princess Bielokonski, impatiently.