“Better to be of a mess than in a mess! I remember making a joke something like that at the mess in eighteen hundred and forty--forty--I forget. ‘Where is my youth, where is my golden youth?’ Who was it said that, Colia?”

“Nastasia Philipovna?” said the clerk, as though trying to think out something.

Lebedeff began to grin again, rubbed his hands, sneezed, but spoke not a word in reply.
Colia came into the room and gave the prince a note; it was from the general and was carefully sealed up. It was clear from Colia’s face how painful it was to him to deliver the missive. The prince read it, rose, and took his hat.

“My legs won’t move,” said the prince; “it’s fear, I know. When my fear is over, I’ll get up--”

The happy state in which the family had spent the evening, as just recorded, was not of very long duration. Next day Aglaya quarrelled with the prince again, and so she continued to behave for the next few days. For whole hours at a time she ridiculed and chaffed the wretched man, and made him almost a laughing-stock.
The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.
“About twenty paces from the scaffold, where he had stood to hear the sentence, were three posts, fixed in the ground, to which to fasten the criminals (of whom there were several). The first three criminals were taken to the posts, dressed in long white tunics, with white caps drawn over their faces, so that they could not see the rifles pointed at them. Then a group of soldiers took their stand opposite to each post. My friend was the eighth on the list, and therefore he would have been among the third lot to go up. A priest went about among them with a cross: and there was about five minutes of time left for him to live.
The general was much astonished.

“I should think it would be very foolish indeed, unless it happened to come in appropriately.”

“Here, on the verandah? Very well, I’ll tell them all not to come and wake you. Papa has gone out somewhere.”

“It was just a minute before the execution,” began the prince, readily, carried away by the recollection and evidently forgetting everything else in a moment; “just at the instant when he stepped off the ladder on to the scaffold. He happened to look in my direction: I saw his eyes and understood all, at once--but how am I to describe it? I do so wish you or somebody else could draw it, you, if possible. I thought at the time what a picture it would make. You must imagine all that went before, of course, all--all. He had lived in the prison for some time and had not expected that the execution would take place for at least a week yet--he had counted on all the formalities and so on taking time; but it so happened that his papers had been got ready quickly. At five o’clock in the morning he was asleep--it was October, and at five in the morning it was cold and dark. The governor of the prison comes in on tip-toe and touches the sleeping man’s shoulder gently. He starts up. ‘What is it?’ he says. ‘The execution is fixed for ten o’clock.’ He was only just awake, and would not believe at first, but began to argue that his papers would not be out for a week, and so on. When he was wide awake and realized the truth, he became very silent and argued no more--so they say; but after a bit he said: ‘It comes very hard on one so suddenly’ and then he was silent again and said nothing.

“I thought you were capable of development,” said Hippolyte, coming out of his fit of abstraction. “Yes, that is what I meant to say,” he added, with the satisfaction of one who suddenly remembers something he had forgotten. “Here is Burdovsky, sincerely anxious to protect his mother; is not that so? And he himself is the cause of her disgrace. The prince is anxious to help Burdovsky and offers him friendship and a large sum of money, in the sincerity of his heart. And here they stand like two sworn enemies--ha, ha, ha! You all hate Burdovsky because his behaviour with regard to his mother is shocking and repugnant to you; do you not? Is not that true? Is it not true? You all have a passion for beauty and distinction in outward forms; that is all you care for, isn’t it? I have suspected for a long time that you cared for nothing else! Well, let me tell you that perhaps there is not one of you who loved your mother as Burdovsky loved his. As to you, prince, I know that you have sent money secretly to Burdovsky’s mother through Gania. Well, I bet now,” he continued with an hysterical laugh, “that Burdovsky will accuse you of indelicacy, and reproach you with a want of respect for his mother! Yes, that is quite certain! Ha, ha, ha!”

“He has acknowledged himself to be in the wrong. Don’t you see that the greater his vanity, the more difficult this admission must have been on his part? Oh, what a little child you are, Lizabetha Prokofievna!”

“Oh, dear!” cried the prince, confused, trying to hurry his words out, and growing more and more eager every moment: “I’ve gone and said another stupid thing. I don’t know what to say. I--I didn’t mean that, you know--I--I--he really was such a splendid man, wasn’t he?”

“Do you know the Rogojins?” asked his questioner, abruptly.

With trembling fingers he broke the seal and drew out several sheets of paper, smoothed them out before him, and began sorting them.
“Prince, prince!” he cried, seizing hold of his arm, “recollect yourself! Drop her, prince! You see what sort of a woman she is. I am speaking to you like a father.”
So the Epanchins prepared to depart for the summer.
But Lizabetha Prokofievna knew perfectly well how unnecessary was the last question. She set a high value on Alexandra Ivanovna’s judgment, and often consulted her in difficulties; but that she was a ‘wet hen’ she never for a moment doubted. “She is so calm; nothing rouses her--though wet hens are not always calm! Oh! I can’t understand it!” Her eldest daughter inspired Lizabetha with a kind of puzzled compassion. She did not feel this in Aglaya’s case, though the latter was her idol. It may be said that these outbursts and epithets, such as “wet hen” (in which the maternal solicitude usually showed itself), only made Alexandra laugh. Sometimes the most trivial thing annoyed Mrs. Epanchin, and drove her into a frenzy. For instance, Alexandra Ivanovna liked to sleep late, and was always dreaming, though her dreams had the peculiarity of being as innocent and naive as those of a child of seven; and the very innocence of her dreams annoyed her mother. Once she dreamt of nine hens, and this was the cause of quite a serious quarrel--no one knew why. Another time she had--it was most unusual--a dream with a spark of originality in it. She dreamt of a monk in a dark room, into which she was too frightened to go. Adelaida and Aglaya rushed off with shrieks of laughter to relate this to their mother, but she was quite angry, and said her daughters were all fools.
“Did she bring you with her of her own accord?”
“And do you not live in idleness?”

At length she plunged into an energetic and hostile criticism of railways, and glared at the prince defiantly.

On scrutinizing him, the prince soon saw that the general was quite a different man from what he had been the day before; he looked like one who had come to some momentous resolve. His calmness, however, was more apparent than real. He was courteous, but there was a suggestion of injured innocence in his manner.

“Tell me, prince, why on earth did this boy intrude himself upon you?” he asked, with such annoyance and irritation in his voice that the prince was quite surprised. “I wouldn’t mind laying odds that he is up to some mischief.”

“As a curiosity,” suggested Evgenie Pavlovitch, seeing his excellency involved in a comparison which he could not complete.
Aglaya raised her happy, tearful face from her mother’s breast, glanced at her father, and burst out laughing. She sprang at him and hugged him too, and kissed him over and over again. She then rushed back to her mother and hid her face in the maternal bosom, and there indulged in more tears. Her mother covered her with a corner of her shawl.
“And she gave it you to read herself--_herself?_”
“The prince is formally engaged to her--that’s settled. The elder sisters told me about it. Aglaya has agreed. They don’t attempt to conceal it any longer; you know how mysterious and secret they have all been up to now. Adelaida’s wedding is put off again, so that both can be married on one day. Isn’t that delightfully romantic? Somebody ought to write a poem on it. Sit down and write an ode instead of tearing up and down like that. This evening Princess Bielokonski is to arrive; she comes just in time--they have a party tonight. He is to be presented to old Bielokonski, though I believe he knows her already; probably the engagement will be openly announced. They are only afraid that he may knock something down, or trip over something when he comes into the room. It would be just like him.”
“She came up to me and said, ‘Do you know who the Pope of Rome is?’ ‘I’ve heard of him,’ I said. ‘I suppose you’ve read the Universal History, Parfen Semeonovitch, haven’t you?’ she asked. ‘I’ve learned nothing at all,’ I said. ‘Then I’ll lend it to you to read. You must know there was a Roman Pope once, and he was very angry with a certain Emperor; so the Emperor came and neither ate nor drank, but knelt before the Pope’s palace till he should be forgiven. And what sort of vows do you think that Emperor was making during all those days on his knees? Stop, I’ll read it to you!’ Then she read me a lot of verses, where it said that the Emperor spent all the time vowing vengeance against the Pope. ‘You don’t mean to say you don’t approve of the poem, Parfen Semeonovitch,’ she says. ‘All you have read out is perfectly true,’ say I. ‘Aha!’ says she, ‘you admit it’s true, do you? And you are making vows to yourself that if I marry you, you will remind me of all this, and take it out of me.’ ‘I don’t know,’ I say, ‘perhaps I was thinking like that, and perhaps I was not. I’m not thinking of anything just now.’ ‘What are your thoughts, then?’ ‘I’m thinking that when you rise from your chair and go past me, I watch you, and follow you with my eyes; if your dress does but rustle, my heart sinks; if you leave the room, I remember every little word and action, and what your voice sounded like, and what you said. I thought of nothing all last night, but sat here listening to your sleeping breath, and heard you move a little, twice.’ ‘And as for your attack upon me,’ she says, ‘I suppose you never once thought of _that?_’ ‘Perhaps I did think of it, and perhaps not,’ I say. ‘And what if I don’t either forgive you or marry, you?’ ‘I tell you I shall go and drown myself.’ ‘H’m!’ she said, and then relapsed into silence. Then she got angry, and went out. ‘I suppose you’d murder me before you drowned yourself, though!’ she cried as she left the room.