She was silent a moment to get breath, and to recover her composure.
| “I don’t think you need break your heart over Gania,” said the prince; “for if what you say is true, he must be considered dangerous in the Epanchin household, and if so, certain hopes of his must have been encouraged.” |
“And the man who won it is a rogue, a rogue whom you ought not to have paid!” cried Lebedeff.
What had really happened?
“Yes, but he died at Elizabethgrad, not at Tver,” said the prince, rather timidly. “So Pavlicheff told me.”
| “‘I do not wish to deprive your mother of you, and, therefore, I will not ask you to go with me,’ he said, the morning of his departure, ‘but I should like to do something for you.’ He was mounting his horse as he spoke. ‘Write something in my sister’s album for me,’ I said rather timidly, for he was in a state of great dejection at the moment. He turned, called for a pen, took the album. ‘How old is your sister?’ he asked, holding the pen in his hand. ‘Three years old,’ I said. ‘Ah, _petite fille alors!_’ and he wrote in the album: |
It was now Totski’s turn, and his story was awaited with great curiosity--while all eyes turned on Nastasia Philipovna, as though anticipating that his revelation must be connected somehow with her. Nastasia, during the whole of his story, pulled at the lace trimming of her sleeve, and never once glanced at the speaker. Totski was a handsome man, rather stout, with a very polite and dignified manner. He was always well dressed, and his linen was exquisite. He had plump white hands, and wore a magnificent diamond ring on one finger.
| “I was only surprised that Mr. Burdovsky should have--however, this is what I have to say. Since you had already given the matter publicity, why did you object just now, when I began to speak of it to my friends?” |
| “I was only surprised that Mr. Burdovsky should have--however, this is what I have to say. Since you had already given the matter publicity, why did you object just now, when I began to speak of it to my friends?” |
| “Is not that enough? The instinct of self-preservation is the normal law of humanity...” |
| She seemed to wish to show him something, not far off, in the park. |
“Calm yourself, my dear fellow. You are exaggerating again; you really have no occasion to be so grateful to us. It is a feeling which does you great credit, but an exaggeration, for all that.”
The old man tried to put a good face on the affair.
The prince turned sharply round and looked at both of them. Gania’s face was full of real despair; he seemed to have said the words almost unconsciously and on the impulse of the moment.
“You are alone, aren’t you,--not married?”The prince certainly was beside himself.
| “Prince,” said Nastasia Philipovna, unexpectedly turning to Muishkin, “here are my old friends, Totski and General Epanchin, who wish to marry me off. Tell me what you think. Shall I marry or not? As you decide, so shall it be.” |
| Our friends took chairs near the side exit. The crowd and the music cheered Mrs. Epanchin a little, and amused the girls; they bowed and shook hands with some of their friends and nodded at a distance to others; they examined the ladies’ dresses, noticed comicalities and eccentricities among the people, and laughed and talked among themselves. Evgenie Pavlovitch, too, found plenty of friends to bow to. Several people noticed Aglaya and the prince, who were still together. |
But they all laughed on.
| “What are you dreaming of?” said poor, frightened Colia, stooping down towards the old man, all the same. |
A man, whose face it was difficult to see in the gloom, approached the bench, and sat down beside him. The prince peered into his face, and recognized the livid features of Rogojin.
“No one, at present; but I hope to make friends; and then I have a letter from--”
| “When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion. |
“She is a woman who is seeking...”
“Well, but--have you taken the purse away now?”
| The prince turned sharply round and looked at both of them. Gania’s face was full of real despair; he seemed to have said the words almost unconsciously and on the impulse of the moment. |
| He was rushing hurriedly from the terrace, when Lebedeff’s nephew seized his arms, and said something to him in a low voice. Burdovsky turned quickly, and drawing an addressed but unsealed envelope from his pocket, he threw it down on a little table beside the prince. |
“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you.”
Besides, they could not help thinking that their sister Aglaya probably knew more about the whole matter than both they and their mother put together.
| “Well, what does it all mean? What do you make of it?” asked the general of his spouse, hurriedly. |
“Yes, but the prince can, because he is clever--cleverer than you are by ten or twenty times, if you like. There, that’s so, prince; and seriously, let’s drop the donkey now--what else did you see abroad, besides the donkey?”
This is how it came about that at eleven o’clock next morning Rogojin’s flat was opened by the police in the presence of Lebedeff, the two ladies, and Rogojin’s own brother, who lived in the wing.
“Of course not.”| “I’ll bring it you directly. We only have a cook and one maid, so I have to help as much as I can. Varia looks after things, generally, and loses her temper over it. Gania says you have only just arrived from Switzerland?” |
Ivan Fedorovitch, now quite out of patience, interrupted suddenly. “Let me remark in my turn, sir,” he said in tones of deep annoyance, “that my wife is here as the guest of Prince Lef Nicolaievitch, our friend and neighbour, and that in any case, young man, it is not for you to pass judgment on the conduct of Lizabetha Prokofievna, or to make remarks aloud in my presence concerning what feelings you think may be read in my face. Yes, my wife stayed here,” continued the general, with increasing irritation, “more out of amazement than anything else. Everyone can understand that a collection of such strange young men would attract the attention of a person interested in contemporary life. I stayed myself, just as I sometimes stop to look on in the street when I see something that may be regarded as-as-as-”
| “I love you, Aglaya Ivanovna,--I love you very much. I love only you--and--please don’t jest about it, for I do love you very much.” |
“It’s all a joke, mamma; it’s just a joke like the ‘poor knight’--nothing more whatever, I assure you!” Alexandra whispered in her ear. “She is chaffing him--making a fool of him, after her own private fashion, that’s all! But she carries it just a little too far--she is a regular little actress. How she frightened us just now--didn’t she?--and all for a lark!”
“How do you know I walked in the park and didn’t sleep at home?”
“Without Aglaya--I--I _must_ see Aglaya!--I shall die in my sleep very soon--I thought I was dying in my sleep last night. Oh! if Aglaya only knew all--I mean really, _really_ all! Because she must know _all_--that’s the first condition towards understanding. Why cannot we ever know all about another, especially when that other has been guilty? But I don’t know what I’m talking about--I’m so confused. You pained me so dreadfully. Surely--surely Aglaya has not the same expression now as she had at the moment when she ran away? Oh, yes! I am guilty and I know it--I know it! Probably I am in fault all round--I don’t quite know how--but I am in fault, no doubt. There is something else, but I cannot explain it to you, Evgenie Pavlovitch. I have no words; but Aglaya will understand. I have always believed Aglaya will understand--I am assured she will.”